The Coptic Museum ,Ivory and Bone Carvings

 
The Coptic Museum ,Ivory and Bone Carvings
 
 
 
 
Alexandria was one of the principal markets for African ivory during the Greek Period of Egyptian history. By the Roman Period, Persia became more important for Indian Ivory, while bone, a much cheaper substitute, began to be widely used as well. The Coptic Museum's collection of ivory and bone carvings consists of wooden bridal caskets of engraved bone or ivory plaques with naked human figures and nymphs, pyxides, bone figurines representing schematized female figures with cylindrical bodies; bone spindle whorls; pots and other objects of daily use. Included in this collection is the famous 6th century ivory comb depicting the Raising of Lazarus and the Healing of the Blind.
 

The Coptic Museum ,Stonework

 
The Coptic Museum ,Stonework
 

The provenance of most Coptic textiles and minor works of art is usually unknown, but Coptic sculpture and wall paintings are better documented. The most important sites for these items are Abu Mina, Saqqara, Ahnas, Oxyrhynchos, Antinoe and Bawit. Nevertheless, many of the excavations that unearthed these items took place in the 19th century, and were therefore not as well documented as one might suppose. Furthermore, the re-use of older architectural elements, often from pharaonic monuments, makes exact dating of Coptic sculpture difficult.
 
 
 
 
The majority of the monuments from which this collection was taken are in ruins. Mostly, architectural carvings, separate from their original context, including niches, pediments, friezes, lintels, consoles, columns and capitals, make of this exhibit. All of it was originally painted.
 
 
During the 4th and 5th centuries pagan mythological scenes, such as Orpheus and Eurydice or Leda and the swan, continued to be depicted alongside Christian themes. The cross, supported by erotes or angels, is a central element of Coptic sculpture. Often, scenes of the christological cycle appear isolated, such as the Madonna and Child and the Holy Virgin with the saints. Scenes from the Old Testament are also frequently incorporated into sculpture. Examples include Daniel flanked by two lions or the Three Hebrews in the Fiery Furnace. On the other hand, at the monastic sites of Bawit and Saqqara there was a clear tendency towards geometric and floral architectural sculpture with niches and friezes. Also, aspects of daily life, such as the grape harvest or fishing in the marshes, are not uncommon in Coptic sculpture.
 
 
Corinthian, basket and composite capitals were developed in a rich variety of abstract styles, especially discernable in the basket capitals of the 6th century.


The Coptic Museum ,part 2

 
The Coptic Museum in Cairo, Egypt
 
 
The most striking stylistic feature of Coptic figurative representation are the exaggerated rounded or oval eyes, under relatively thick eyebrows, and the contrapposto position (the weight of the body thrown onto one leg). Garments are often depicted with details of pleats and folds. The figures range from tall and slim to the short and thickset. Facial expressions usually span a narrow divide between non-committal to somber.
 
 
Yet, some influences remained. As Christianity arose, the old indigenous religion and that of the Greek educated ruling elite had not yet vanished. Even though the style and form may have changed, Coptic Christian art featured a substantial amount of episodes from Greek religious thought, particularly the sculpture of Ahnas and textiles. The use of such motifs in a Christian context is somewhat puzzling, and we can really give no definitive solution to this, other than the overlap which occurred between these two cultures. In fact, it would certainly seem that a number of pagan themes were de-paganized and recycled to convey messages in keeping with Christian values. It has been argued that such themes themselves may have become a symbol of the triumph of Christianity over paganism.
 
 
 
The largest collection of Coptic Christian artifacts in the world, with some 16,000 pieces, belongs to the Coptic Museum in Cairo. Indeed, this museum represents more than simply a collection of ancient Christian art. Perhaps no more so than for its western Christian visitors, it embodies the very instant when the old, pagan world collided with that of their modern Christian world. It is an eye-opener for many, as it documents this not altogether gradual but very significant moment in time.
 
The first exhibition of Coptic art was held in Cairo during the nineteenth century in the "Salle Copte" at the Boulaq Museum. In 1908 Marcus Simaika Pasha founded the Coptic Museum on behalf of the Coptic Church. He chose for its location a unique place in Old Coptic Cairo, within the walls of the great Fortress of Babylon and surrounded by Cairo's oldest churches. With the support of Patriarch Cyril V he purchased artifacts from churches, monasteries, houses and private collections.
 
The old, original wing of the museum is in itself a fine piece of architecture consisting of a series of large rooms, roofed over with ancient decorated wood and containing beautiful mashrabiya. Its walls are overlaid with fine slabs of marble, arches a and tiles. In 1931 the Egyptian government recognized the significance of the Coptic Museum and made it a state institution. Afterwards, the greater part of the magnificent Coptic collection in the Egyptian Antiquities Museum was transferred to the Coptic Museum in 1939.
 
Then, in 1947 a large New Wing with a style complimentary to the old one was opened It too had carved wooden ceilings as well as picturesque fountains. It was later renovated with modern methods of exhibition and reopened on March 8th, 1984. Only recently was it once again renovated.
 
The "General Catalogue of the Coptic Museum", an ongoing international project, was initiated in 1986 to compile an current catalogue of all the objects in the museum. The Museum's rich collection is arranged mostly according to media.
 


The Coptic Museum ,part 1

 
The Coptic Museum in Cairo, Egypt
 
 
The Coptic Museum in Cairo has been closed for some time for remodeling, but we are now celebrating its recent reopening, a welcome addition to Old Coptic Cairo. It is located in the heart of Coptic Cairo.
 
Christianity has a long history in Egypt, and there continues to be a significant population of Christians in Egypt today. Besides the truly Egyptian heritage of Coptic Christians, there are also Roman Catholics, as well as a number of Protestant sects. Christianity spread in Egypt during the 2nd century in Egypt, just after and indeed during the Roman pagan period, and it became the dominant religion in Egypt up until the Arab invasion in 641 AD.
 
 
 
Christian art, specific to the Coptics of Egypt, began to emerge around 300 AD. Though Christianity marked the end of the Pharaonic period in Egypt, and even though many traditions from that more ancient religion were carried over to become a part of not only the Christian faith in Egypt, but later even the Islamic faith, the art in form, style and content was very different from those earlier times.
 
We can identify principally three reasons that Egyptian art made such a radical change. First of all, art was no longer such an imperial effort of the ruling elite, formalized according to the dictates of a small minority. The second reason is that Christianity delivered a very different message than that of the former pagan religion, and the art indeed changed to deliver this message. Finally, the social origins of Coptic art is perhaps best characterized as folk art. While there were certainly some professional artists centered mostly in Alexandria, at first, most of the Christian artists were local folk who did the best with their undertaking as they could.
 
One interesting difference is that, by around 300 AD, three-dimensional art seems to have almost completely disappeared in Egypt, at least in the form of statuary. The last free standing sculptures in Egypt were those of Roman emperors, but the sculptures of the early Coptics, irregardless of the material used, were engaged, consisting more of an exaggerated raised relief.
 
 
 
 
They usually faced the viewer directly, but they could also be half turned to one side. Over the centuries, these figures became flatter and more like conventional relief. This shift from three-dimensional representations probably also affected two-dimensional art. In traditional Pharaonic art, figures were most frequently represented in a combination of profile and frontal views, but Coptic art abandoned this old formula and turned the figure around to face the viewer. It is worth noting that much of this sculpture was originally coated with painted plaster which would have shown many details that are now gone.
 

Gallery3

 
Gallery3
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

Gallery 2

 
Gallery
 
 
 
 


 

 
 
 
 
 
 
 
 
 
 
 
 

The Pharaonic Village

 
The Pharaonic Village

Take a step back in time; about three thousand years back, to be exact. Just a few miles from the center of Cairo is a time machine waiting to take you on a fantastic journey to the days of the Pharaohs, a time brought to life by an incredible group of actors and actresses, faithful and exact reproductions of buildings, clothing, and lifestyles; and of course, the redoubtable Dr. Hassan Ragab and his son Dr. Abdelsalam Ragab. They have worked for over twenty years to create the most precise living recreation of the golden days of Pharaonic Egypt, and now he invites you to join him on this fascinating journey to the past.
 
                                    The Pharaoh and His Court Greet You at the Temple
 
 
At the Pharaonic Village, visitors sail on comfortable motorized barges down a network of canals and view incredibly accurate tableaux of the recreation of ancient Egyptian life. Though the city of Cairo surrounds the island, not a trace of it penetrates the thick wall of trees planted around the island. Sights include recreations of industries, games, arts, and moments from history and legend. Services such as cafeterias, boat rentals, a children's playground and a restaurant that serves both Egyptian and European dishes help to make your stay even more enjoyable.
 

The temple above is only one example of the exacting details that have gone into making the past come to life at the Pharaonic Village. Over a hundred actors and actresses perform all the daily activities and arts of the ancient Egyptians, including agriculture, pottery, sculpture, weaving, and much more. Everyone that would have existed in an ancient Egyptian city is here in the modern recreation, from pharaohs to fishermen, from potters to priests. Because of this attention to detail, the Pharaonic Village is more than education and entertainment, it is a vital resource in the preservation of our knowledge of the ancient world.
 
 
The Pharaonic Village is a must-see for any visitor to Egypt, whether scholar of Egyptian history and culture, or casual tourist. It is an excellent complement to a trip before going to Aswan and Luxor, but just as awe-inspiring and enjoyable in and of itself. Come with us on a journey through time to the rich and exciting age of the pharaohs.
 

king khafre


king khafre Fourth Dynasty / old stateThe name of the pharaoh: Kha F Ra / Khafre / Khvrn named means: "Transfiguration such as Ra"Rule of 25 - 29 years oldKing Khafre is the fourth pharaoh of the Fourth Dynasty kings who ruled Egypt in the Old Kingdom, a son of King Khufu. And was married to Princess berths Ankh.Mention of was Maniton sentenced twenty-six yearsArcheologists found in the valley temple on its hierarchical collection of schist stone statues, including a statue is one of the most beautiful produced Egyptian sculpture, it is located in the Egyptian Museum, and is also credited with carving rock (sphinx)
Find coffin of King Khafre in Spanish watersNews 05/23/2008 Year 56 number 17502 for news titled [Find coffin of King Khafre in Spanish waters Alaa Abdul-Hadi wrote:Farouk Hosni approved and the Minister of Culture on the formation of a working group of archaeologists and divers in Egypt and Spain headed by Dr.. Zahi Hawass Secretary of the Supreme Council of Antiquities to implementation of the first joint venture with the Spanish government for exploration and the search for the coffin of King Khafre, made of basalt, which sank off the Spanish coast, specifically in front of the city 'Cartagena' historic early nineteenth century while being transported from Egypt to England to do some studies and scientific research . Said Dr.. Zahi Hawass that conducted a comprehensive study outlining the shipwreck site 'Beatrice', which was carrying the coffin in 1838 .. He pointed out that he agreed with 'Bob pillared' discoverer of the ship 'Titanic' as one of the discoverers of the bone to be within the mission, which will research and exploration. Explained the Egyptian ambassador to Spain Yasser Murad said the project will begin later this year.*******************************Statue of King KhafreAl Jazeera Net BC 05/10/2005 story titled [Supreme Council of Antiquities in Egypt denies crash statue of KhafreDenied the Supreme Council of Antiquities in Egypt health news published in newspapers Cairo yesterday for breaking a small statue of King Khafre existing Egyptian Museum, stressing that the statue in proper condition which does not belong to King Khafre, and there is no any inscriptions refer to it.The Secretary General of the Council Zahi Hawass was recorded third cumulative effects in the store museum, which exceed its collection of 65 thousand pieces from Pharaonic times successive explained Hawass was processing 33 storage effects in the Egyptian capital and other cities rich in monuments "to preserve it and protect it in accordance with international standards for such kind of stores. "

الملك خفرع

عصر الأسرة الرابعة / الدولة القديمة
أسم الفرعون : خع أف رع / خفرع / خفرن اسمه يعني : "التجلي مثل رع"
حكم من 25- 29 سنة
والملك خفرع هو رابع ملوك فراعنة الأسرة الرابعة الذين حكموا مصر فى عصر الدولة القديمة ، وهو ابن الملك خوفو . وكان متزوجاً من الأميرة مراس عنخ.
يذكر المؤرخ مانيتون أنه حكم ست وعشرين سنة
عثر الأثريون في معبد الوادي الخاص بمجموعته الهرمية على تماثيل من حجر الشست، بينهم تمثال يعتبر من أجمل ما أنتجه فن النحت المصري، وهو موجود بالمتحف المصري، وينسب له أيضا نحت صخرة تمثال (أبي الهول)
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البحث عن تابوت الملك خفرع في المياه الإسبانية
الأخبار 23/5/2008م السنة 56 العدد 17502 عن خبر بعنوان [ البحث عن تابوت الملك خفرع في المياه الإسبانية ] كتب علاء عبدالهادي:
وافق فاروق حسني وزير الثقافة علي تشكيل فريق عمل من خبراء الآثار والغواصين بمصر واسبانيا برئاسة د. زاهي حواس أمين المجلس الأعلي للآثار لتنفيذ أول مشروع مشترك مع الحكومة الاسبانية للتنقيب والبحث عن التابوت الخاص بالملك خفرع المصنوع من البازلت والذي غرق قبالة السواحل الاسبانية وبالتحديد أمام مدينة 'قرطاجنة' التاريخية اوائل القرن التاسع عشر أثناء نقله من مصر إلي انجلترا لإجراء بعض الدراسات والابحاث العلمية. وصرح د. زاهي حواس بأنه اجري دراسة شاملة حدد فيها موقع غرق السفينة 'بياتريس' التي كانت تقل التابوت عام 1838م.. مشيرا إلي انه اتفق مع 'بوب بيلرد' مكتشف الباخرة 'تايتانيك' بوصفه احد المكتشفين العظام ليكون ضمن البعثة التي ستقوم بالبحث والتنقيب. أوضح السفير المصري لدي اسبانيا ياسر مراد ان المشروع سيبدأ نهاية العام الحالي.
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تمثال الملك خفرع
الجزيرة نت ق5/10/2005 م عن خبر بعنوان [ المجلس الأعلى للآثار بمصر ينفي تحطم تمثال خفرع ]
نفى المجلس الأعلى للآثار في مصر صحة الخبر المنشور في صحف القاهرة أمس عن كسر تمثال صغير للملك خفرع موجود بالمتحف المصري، مؤكدا أن التمثال في حالة سليمة وهو لا يخص الملك خفرع ولا يوجد عليه أية نقوش تشير إلى ذلك.
وأضاف الأمين العام للمجلس زاهي حواس أنه تم تسجيل ثلث الآثار المتراكمة في مخزن المتحف الذي تتجاوز مقتنياته الـ65 ألف قطعة أثرية من العصور الفرعونية المتعاقبة وأوضح حواس أنه تم تجهيز 33 مخزنا للآثار في العاصمة المصرية ومدن أخرى غنية بالآثار "للحفاظ عليها وحمايتها وفق المواصفات العالمية لمثل هذا النوع من المخازن".

El Alamein World War II

About two hours from Alexandria, Egypt, tourists can visit one of the most important battlefields and memorials of World War II in North Africa.65 years ago, the final battle took place between Axis and Allied forces for dominance of North Africa. The winner would control the Suez Canal - the sea route from the Mediterranean to the Indian Ocean - and much of the Middle East.
Many Young soldiers died from both sides…for what …!! I don't know,for a passion of politicians wanted to expand their empires on dead bodies…. Maybe ..or for what!!!??
Today, the Alamein is mostly a port facility for shipping oil. However, it was once described by Churchill as having the best climate in the world. There are several hotels and a beach resort nearby). There is also a war museum with collectibles from the Battle of El Alamein and other North African battles. The only historical interest in this village would be related to WW II, and includes an Italian and German military cemeteries on Tell el-Eisa Hill just outside of town.
Cemeteries that commemorate the battles and the men → Italian, German, British, Canadian, New Zealand, South African, Australian, Egyptian, and others→ who served and died here. 
El Alamein World War II Military Museum:

The museum was opened in the year 1956, during the presidency of Gamal Abdel Nasser.It was built as a memorial of the Battle of Al Alamein , between the British and the Germans in 1942, and the battles that took place in South Africa during the Second World War.
Al-Alemein War Museum was renewed and reopened in 1992, during the presidency of Mubarak. The museum is one of the best places to visit in order
to achieve an understanding of the story of World War II in Egypt .

A tour of the small military museum begins outside, with displays of tanks, aircraft, jeeps, mines, and other armaments and wrecks from World War II's North African campaign,Inside the El-Alamein Museum, a low-tech diorama of
North Africa shows the various campaigns. A tape recording tells the story with scratchy old music of World War II newsreels, while flashing lights identify the regions on the map.
1- El Alamein Commonwealth war graves:

These graves were erected in honor of the Allied (This includes soldiers from any country or race who fought as part of the allied army) soldiers who died in the battle of Alamein, they still hold memorial service every year by the families of these soldiers.
2-The British Cemetery : 
Most of the soldiers were British 8th Army led by General Montgomery. The Battle began on October 23, 1942 and lasted until November 4th. In all, 35,476 British and Commonwealth soldiers lost their lives in the three years of the North African campaigns of WW II.
3-The German Cemetery :
The German Cemetery is a fortress-like memorial that was built on a high hill overlooking the sea… it was Erected by the German government in memory of the German soldiers who died at the battle of Alamein, this is an interesting piece of architecture, there is an awesome view when you go right to the top. Most of the soldiers buried here are German Afrika Korps lead by General Erwin Rommel . In all, 21,994 German soldiers lost their lives in the three years of the North African campaigns of WW II.

4-The Italian Cemetery at El Alamein:

The Italian Cemetery is a high tower fort standing on a tall hill, with walls covered in marble.Most of the soldiers buried here are Italian from the 10th, 20th and 21st Italian Army Corps lead by General Erwin Rommel. In all, 22,569 Italian soldiers lost their lives in the three years of the North African campaigns of WW II.

Temple of Hatshepsut


Deir el-Bahari temple of HatshepsutThrough this temple will learn many aspects of the life of the Egyptian Queen
The temple and tomb of Queen Hatshepsut at Deir el bahari Western Thebes went out engineer named Sanmot from the norm in the construction of temples funeral, Valmabd built on terraces along the lines of the temple and tomb of King Mentuhotep II months Dynasty XI of the Middle Kingdom, which is located on the same region.
 
 The Queen Hatshepsut in the history of Egypt special status so that her father, King Tuthmosis I did not have children of his legitimacy, but Hatshepsut did not beget a son inherited the throne after him, but Tuthmosis II, but the wife of an illegal was one of the maids pursued owners science and know-how of the priests of Pharaoh to call Bththomps third this king after he married his sister to his father, Hatshepsut, when their father died King Thutmose first.
 In fact, the Queen Hatshepsut was the owner of the right to the throne, and for that lived her husband Tuthmosis II under the shadow and she Her influence and power and it goes without saying that the queen faced stiff opposition from members of the royal family and the priests and senior people to govern the country alone, is well known that low Egyptians not accustomed to see on the throne, a woman, and therefore agreed to a solution that embraced everyone by her and repeated the problem again when he did not beget King Tuthmosis II and a son only going after the death of King Tuthmosis II took advantage of Queen Hatshepsut opportunity and announced tutelage the boy King Thutmose III later, and stood beside her strong party led by Sanmot supervisor of the royal palace and on his property and even the daughter of Queen named Nfroraa, and the Sanmot this a big role in the time of Queen Hatshepsut, particularly during the period of usurpation of the throne and away the king Thutmose III about the life of governance
 and politics throughout Temple starts accidentally contoured sides statues Queen in the form of sphinxes as planted palm trees and pools of papyrus on the sides and turning the mountain into a green oasis, although after the height of the valley, and then skipped the patio downstairs and balcony first climb one boiling yard upper overdraft then also to the path upward is located in the end lounge on the right or what is known lobby of birth, and on the left depicted a cruise to the country Bont, and to the left of the lobby of Birth built on the cabin of the gods Hathor goddess of the mountain and to the right of the lobby Bont built
compartment of Anubis god of the cemetery, while the lobby of Birth Vsourt on the walls story ratios Queen Hatshepsut to the god Amun directly desiring to assert their right to the throne, we see from the writings and images how to accept the god Amun to God Tut (god of wisdom and knowledge) asking him about Queen Ahmuse which will become later the mother of Hatshepsut great
 ha god Tut in front of God the Great, accompanied by god to them, after that wearing Amon uniforms King, enters Amon on the Queen in the image of the King finds the queen sleeper but in
the fragrance of God horrified and seeks to god delighted grant god his heart, and having spent the night together predict God that gave it the daughter would become Queen of the house, because it is at the heart of the god Amun, and when Hatshepsut generate bless her gods and exaggerate described in texts and assert their right to Royal.

The Ramsium temple

Ramsium temple is called Khnmt wast means the united with wast while the Greeks called it Memnyum this name refers to the enormous statues of Anmhouteb III and Ramses II   also this temple is situated near by statues of Memnoun its area 180*66 m
Most of the area is building for the storages and the priests' home
The temple consists of:
The gate wall made of mud bricks surrounded by a large number of storages area .
Then we find the first pylon huge building 66 m width with the inscription of Kadesh war and its affaires
And on its sides the religious inscription and scenes for the king with the gods.

the first yard in includes  number of Osiris  pillars  also there was the remains of enormous statue of the king Ramses II about 17m high made out of one piece of  granite 
Then a leading stairs for the second pylon this pylon is smaller than the first one which is surrounded by statues of the king and having religious inscriptions and the coronation scenes then we find the second court yard  surrounded by Osiris and papyrus pillars
At the end we find a small columns hall this hall is known as the zodiac hall because the ceiling bears zodiac inscriptions then we find another hall of columns but the rest of the temple  including the holy of the holies is completely damaged and nearly destroyed

photos (gallery)

........Gallery.......
Ramses ii ;
Ramses ii was born in 1303 Bc and ruled Egypt 67 years from 1279 Bc .AD until 1212 BC.AD
    egyptian souvenirs;
   No one can come to Egypt and can not take one of these souvenirs when come back to home

Luxor Temple

Luxor Temple
Luxor temple was dedicated to Thebans sacred triad (a group of three deities)  Amun re , mut , Khunsu  , it's one of the important temples of the new Kingdome
Luxor Temple is located in waset (ancient Egyptian name of Luxor city) on the eastern bank of the Nile valley, it was built by king Amenhuteb III then king RamsesII continued to add some buildings..
The temple is constructed on one axis from north to south its 260m long from the first pylon to the end of holy of the holies.
Avenue of sphinxstatues fronted the first pylon ,its dated to king Amenhuteb III and king nekhtnbo I (from the thirty dynasty) , each statue is scalped from one block of  sand stone representing a lion with the head of the king , this avenue extended and linked between karnak temple and Luxor temple .
The pylon is fronted by six colossi of Ramses II (four seated, two standing)only two seated are left now. Also two obelisks fronted the pylon made of pink granite one of them is now in concurred square in Paris and the other is kept in its place in the temple
The first colonnade court, contains 74 giant papyrus columns, also 11 statues for Ramses II were found between the columns while the mosque of Abu el- Haggagg lies in northeast of the court 
The first hypostyle hall contains 14 columns the walls of this hall is decorated with the scenes of the opet festival (ancient Egyptian festival where the god Amunre god of Karnak temple visited Luxor temple)     
Then we find the chapel of sacred boat then the birth house finally we find the holy of the holies where the statues of the gods of the temple is placed.  

Karnak Temple

Karnak Temple
Karnak Temple is one of the most beautiful temples in Egypt it is located in  Luxor signs deals where each successive king of kings trying to make the most magnificent temple. Characterized by his predecessor so Karnak temples turned into a complete guide and a variety show stages of the evolution of ancient Egyptian art and architecture Pharaonic distinctive.
 Featuring the Great Temple of Karnak Sound and Light offers charming, which is held every evening, which is a great way to discover the Temple of Karnak. About the distance between Luxor and Karnak 3 kilometers, punctuated on both sides of the road a large number of sphinxes or what is known as a small way of rams. The Temple of Karnak is the largest house of worship on earth gated.

Ramses IV


Ramses IV
Pharaoh of Egypt
Reign: 1155-1149 BC, 20th Dynasty

Predecessor: Ramesses III

Successor: Ramesses V

royal titulary

consort :     Duatentopet

Children:                    
RamessesV 

  
Mother:   Tyti


Died:  1149 BC


Burial: KV2


Monuments

Temple of Khonsu at Karnak

Heqamaatre Ramesses IV (also written Ramses or Rameses) was the third pharaoh of the Twentieth Dynasty of the New Kingdom of Ancient Egypt. His name prior to assuming the crown was Amonhirkhopshef. He was the fifth son of Ramesses III and was appointed to the position of crown prince by the twenty-second year of his father's reign when all four of his elder brothers predeceased him.  His promotion to crown prince:

'is suggested by his appearance (suitably entitled) in a scene of the festival of Min at the Ramesses III temple at Karnak, which may have been completed by Year 22 [of his father's reign]. (the date is mentioned in the poem inscribed there)'

As his father's chosen successor the Prince employed three distinctive titles: "Hereditary Prince", "Royal scribe" and "Generalissimo"; the latter two of his titles are mentioned in a text at Amenhotep III's temple at Soleb  and all three royal titles appear on a lintel now in Florence, Italy. As heir-apparent he took on increasing responsibilities; for instance, in Year 27 of his father's reign, he is depicted appointing a certain Amenemopet to the important position of Third Prophet of Amun in the latter's TT 148 tomb.  Amenemope's Theban tomb also accords prince Ramesses all three of his aforementioned sets of royal titles. Due to the three decade long rule of Ramesses III, Ramesses IV is believed to have been a man in his forties when he took the throne. His rule has been dated to either 1151 to 1145 BC or 1155 to 1149 BC.


Family:

It is now believed that Ramesses IV's mother was most likely Queen Tyti from recently discovered notes published in the 2010 issue of the Journal of Egyptian Archaeology. They reveal that Tyti—who was both a king's daughter, a king's wife and a king's mother in her own right—was identified in Papyrus BM EA 10052 (i.e. the tomb-robbery papyri) to be a queen of Ramesses III, Ramesses IV's father. The 2010 JEA article authors--including Aidan Dodson--write that since Ramesses VI's mother is known to be a certain lady named Iset Ta-Hemdjert or Isis:

"only Ramesses IV and Ramesses VIII remain as candidates [for the mother of Ramesses IV]. Given that Ramesses VIII only reigned briefly some 25 years after his father’s death, it is hardly likely that the decoration of QV52, with the mwt-nsw (i.e. king's mother) title intimately mixed with Tyti’s other titles, could have been delayed this late to refer to him. This leaves Ramesses IV as the only credible primary 'subject' of the mwt-nsw title in the tomb. As for which--if any--of the other sons of Ramesses III were borne to Tyti, no unequivocal data is available, other than the fact that Amenhirkhopeshef B, buried in QV55,  was ms n Hmt-nTr mwt-nTr Hmt-nsw-wrt, paralleling Tyti's titles so closely that he may with some confidence be proposed as her son."

Thus the identity of Ramesses IV's mother has been resolved in favour of Queen Tyti who was once erroneously thought to be the mother of another king in the mid-1980s: Ramesses XI. Ramesses IV was succeeded to the throne by his son Ramesses V.




Projects:
                                                                                          Ramses IV offering two Nu vases,
                                                                                                   British Museum.



 
At the start of his reign, the pharaoh initiated a substantial building campaign program on the scale of Ramesses II by doubling the size of the work gangs at Deir el-Medina to a total of 120 men and dispatching numerous expeditions to the stone quarries of Wadi Hammamat and the turquoise mines of the Sinai. The Great Rock stela of Ramesses IV at Wadi Hammamat records that the largest expedition—dated to his Year 3, third month of Shemu day 27—consisted of 8,368 men alone including 5,000 soldiers, 2,000 personnel of the Amun temples, 800 Apiru and 130 stonemasons and quarrymen under the personal command of the High Priest of Amun, Ramessesnakht. The scribes who composed the text conscientiously noted that this figure excluded 900 men "who are dead and omitted from this list." Consequently, once this omitted figure is added to the tally of 8,368 men who survived the Year 3 quarry expedition, a total of 900 men out of an original expedition of 9,268 men perished during this massive endeavour for a mortality rate of almost 10%. This gives an indication of the harshness of life in Egypt's stone quarries. Some of the stones which were dragged 60 miles to the Nile from Wadi Hammamat weighed 40 tons or more. Other Egyptian quarries including Aswan were located much closer to the Nile which enabled them to use barges to transport stones long distances.
Part of the king's program included the extensive enlargement of his father's Temple of Khonsu at Karnak and the construction of a large mortuary temple near the Temple of Hatshepsut. Ramesses IV also sent several expeditions to the turquoise mines the Sinai; a total of four expeditions are known prior to his fourth year. The Serabit el-Khadim stela of the Royal Butler Sobekhotep states: "Year 3, third month of Shomu. His Majesty sent his favoured and beloved one, the confident of his lord, the Overseer of the Treasury of Silver and Gold, Chief of the Secrets of the august Palace, Sobekhotep, justified, to bring for him all that his heart desired of turquoise (on) his fourth expedition." This expedition dates to either Ramesses III or IV's reign since Sobekhotep is attested in office until at least the reign of Ramesses V. Ramesses IV's final venture to the turquoise mines of the Sinai is documented by the stela of a senior army scribe named Panufer. Panufer states that this expedition's mission was both to procure turquoise and to establish a cult chapel of king Ramesses IV at the Hathor temple of Serabit el-Khadim. The stela reads:
Year 5, second month of Shomu [ie: summer]. The sending by His Majesty <to> build the Mansion of Millions of Years of Ramesses IV in the temple of Hathor, Lady of Turquoise, by Panefer, the Scribe of the Commands of the Army, son of Pairy, justified.
While little is known regarding the route that the mining missions took from Egypt to Serabit el-Khadim in the Sinai, AJ Peden who wrote a biography of Ramesses IV's reign
in 1994 states that there were "two obvious routes" to reach this site:

"The first was a straightforward march from a Delta base, such as Memphis, east south-east and then south into Sinai. Surviving a march in this inhospitable land would have presented formidable logistical obstacles, perhaps forcing an alternative route to be adopted. This would involve a departure from the Delta to a site near the modern port of Suez. From here they could have proceeded by boat to the ports of Abu Zenima or El-Markha on the west coast of the Sinai peninsula and from there it is a short journey inland of only a day or two to the actual site of Serabit el-Khadim.




Attestations:


Ramesses IV is attested by his aforementioned building activity at Wadi Hammamat and Serabit el-Khadim in the Sinai as well as several papyri and even one obelisk. The creation of a royal cult in the Temple of Hathor is known under his reign at Serabit el-Khadim in the Sinai while Papyrus Mallet (or P. Louvre 1050) dates to Years 3 and 4 of his reign. Papyrus Mallet is a six column text dealing partly with agricultural affairs; its first column lists the prices for various commodities between Year 31 of Ramesses III until Year 3 of Ramesses IV. The final four columns contain a memorandum of 2 letters composed by the Superintendent of Cattle of the Estate of Amen-Re, Bakenkhons, to several mid-level administrators and their subordinates. Meanwhile, surviving monuments of Ramesses IV in the Delta consists of an obelisk recovered in Cairo and a pair of his cartouches found on a pylon gateway both originally from Heliopolis.

                                Relief of Ramesses IV at the Temple of  Khonsu in Karnak
 
The most important document to survive from this pharaoh's rule is Papyrus Harris I, which honours the life of his father, Ramesses III, by listing the latter's many accomplishments and gifts to the temples of Egypt, and the Turin papyrus, the earliest known geologic map. Ramesses IV was perhaps the last New Kingdom king to engage in large-scale monumental building after his father as "there was a marked decline in temple building even during the longer reigns of Ramesses IX and VI. The only apparent exception was the attempt of Ramesses V and VI to continue the vast and uncompleted mortuary temple of Ramesses IV at the Assasif."


Death:

Despite Ramesses IV's many endeavours for the gods and his prayer to Osiris—preserved on a Year 4 stela at Abydos—that "thou shalt give me the great age with a long reign [as my predecessor]", the king did not live long enough to accomplish his ambitious goals.
After a short reign of about six and a half years,
ramesses IV died and was buried in tomb KV2 in the Valley of the Kings. His mummy was found in the royal cache of Amenhotep II's tomb KV35 in 1898. His chief wife is Queen Duatentopet or Tentopet or Male who was buried in QV74. His son, Ramesses V, would succeed him to the throne.


                                                Ushabti of Ramses IV, Musée du Louvre.